Located at the border between sculpture and installation, these works made of glass and metal stand out due to their strongly emphasized symbolic content and the very antithesis of the materials used. The murky color of the metal structures contrasts chromatically with the translucency of the glass, highlighting the concept of ephemeral life. In this context, the fragile glass surfaces ridicule the idea of the endurance over time of all that is alive. Exhibited in public spaces such as the Palace of Parliament or the National Cotroceni Museum in Bucharest, some of these works have found their place in public institutions and private collections both nationally and internationally.